From the title, Interpreting Duns Scotus, one would expect to find in this volume a type of meta-study. By this I mean that each article would reveal as much about the author as about the subject,...

In this much-anticipated work, distinguished authors Mary Beth Ingham and Mechthild Dreyer present an accessible introduction to the philosophy of the thirteenth century Franciscan John Duns Scotus.

This article examines the claim that Duns Scotus’s position on the will’s freedom changed between his early Lectura teaching to his late Reportatio lectures on Distinction 25 of Book II of the Sentences. Stephen Dumont in “Did Duns Scotus Change His Mind on the Will?” suggests that Scotus moves closer to the position of Henry of Ghent on the will. The Franciscan had criticized that position in his earlier teaching. In order to demonstrate that Scotus’s voluntarism continues to be moderate, (...) the author first explicates the notion of a rational will in Scotist thought, by means of the two affections of the will and the position outlined in Scotus’s Questions on the Metaphysics of Aristotle Book IX, Q. 15. Following this, a textual comparison of Lectura II, D. 25 with Reportatio II, D. 25 shows that there is indeed a shift, but not toward a more exaggerated form of voluntarism. Rather, close reading of these texts reveals that, in his early teaching, Scotus did not think the will was the rational potency, and did not identify its freedom with rationality. In the later Parisian teaching he presents the will as the sole rational potency, thereby diminishing the role of the intellect, but not that of rationality. The textual evidence of Ordinatio II, D. 6, Questions on the Metaphysics, Lectura II, D. 25 and Reportatio II, D. 25 show that Scotus’s final teaching on the will integrates rationality into the functioning of freedom, and does not align him with Henry’s position, despite similarity of language. (shrink)

This study presents a history of the image: as central to truth and to the possibility of knowledge; in its relationship to the object; as representational mode of knowing; its inadequacy as medium; and as both revealing and concealing. Boulnois proceeds by means of multiple perspectives, linked historically in an archeology: an attempt to bring to light the sources and development of Western reflection upon the role of images. Less interested in providing answers than in re-framing contemporary reflection upon the (...) role of visual images and art in human cognition, the author bases his study upon a compendium of texts and authors not often seen together in the same volume: philosophers, theologians, and artists. Together, they uncover the continuity and discontinuity of development around the central role of visualization for human rationality. The volume concludes with an exhaustive bibliography and extensive indexes.Part I, "Fondations Anthropologiques," lays the groundwork for the study: from Augustine and Platonic theories of the image and its role, both in knowledge and in the link between the human and divine . Tensions within both philosophical and theological. (shrink)

This volume contains the Latin-Italian translation of the Ordinatio Prologue of John Duns Scotus. It is the second volume in the series 'Traditiones: Testi del pensiero tardo-antico, medieval e umanistico', directed by Armando Bisogno. While it is not the first Italian translation of the Ordinatio Prologue, it does offer a rich and detailed introduction that situates Scotus's text in the more general context of his historical milieu, including the effects of the Condemnation of 1277. After a general overview of the (...) life and works of Scotus, including his major positions, the author aids the reader in understanding the significance of Scotus's predecessors... (shrink)

As the final volumes of John Duns Scotus's Opera Omnia are published by the International Scotistic Commission, this volume of the Subtle Doctor's Oxford Collationes are a welcome addition to all the texts we now have at our disposal. Indeed, we can enumerate the corpus of critical works now available: the Opera Philosophica along with the 'safe' texts of the Reportatio IA and, at this writing, the first seventeen distinctions of Reportatio IV. The Oxford and Parisian Collationes offer the remaining (...) pieces to the scholarly puzzle around Scotus, and a clearer portrait of his development as philosopher and theologian is slowly coming into view.The scholarly... (shrink)

This guide to several aspects of the theological and philosophical thought of John Duns Scotus gives clarity to the work of a man with a "reputation for intricate and technical reasoning.".

In 2008, the late Allan B. Wolter, OFM worked with Oleg V. Bychkov, Ph.D. to publish a ‘safe’ version of the Reportatio IA of Franciscan Master John Duns Scotus. The publication of this first book of Scotus’s Commentary on the Sentences from his Paris teaching offered scholars an opportunity to follow the Subtle Doctor’s reasoning throughout his entire teaching career: from the earliest Lectura texts, through the Ordinatio teaching, to what many consider his final say on certain matters when he (...) taught in Paris, between 1302 and 1304.While the Ordinatio claims to have been re-worked by Scotus himself, and Reportatio IA to have been ‘examined’ by Scotus, similar claims to definitive status do not appear... (shrink)

Franciscan commitments -- Creation: a metaphysics of the particular -- Cognition, language, and reality -- Divine existence and perfections -- What is theology? -- Freedom and the will -- Moral goodness and beauty -- Practical wisdom and discernment -- Creation, incarnation, and divine desire.

John Sallis’s study on the activity of translation is a methodical reflection structured as variations on a theme. The theme, certainly, is the play of sameness and alterity in the act of translation.